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Following the practical application of these laws throughout the early nineteenth century, Erika Vause traces how financial failure and fraud became legally disentangled.

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This meticulously researched study offers a novel conceptualization of how central "the economic" was to new understandings of self, state, and the market. Telling a story deeply resonant in our own age of ambivalence about the innocence of failures by financial institutions and large-scale speculators, Vause reveals how legal personalization and depersonalization of debt was essential for unleashing the latent forces of capitalism itself.

In this impeccably researched and vigorously argued book, Erika Vause offers nuanced and original accounts of the concepts of debt and bankruptcy among merchants, moralists, and novelists that shed new light on the political divides and affinities that shaped France's trajectory from the Directory through the Revolution.

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Erika Vause. At the age of twenty-three, he must make a reckoning of his life and decide how to face death. Yet even here the novel presents multiple ways of understanding his statement.

In the course of the novel it is clear that the provinces, the seminaries, and the city are fundamentally alike in the types of behavior they breed and frequently reward. He came from a solidly middle-class family; his father was a barrister and his mother the daughter of a physician. His mother died when he was seven, and he grew to adore her memory and hate what his father represented to him — bourgeois manners and the pursuit of money.

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Feeling trapped in his home, the boy developed a vivid imagination and a taste for daydreaming. Here, and in Paris after he resigned from the army in , he enjoyed a number of romantic liaisons. He returned to Paris in and frequented its salons and theaters.


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He wrote a number of books in the next several years, including his first novel, Armance , and Le rouge et le noir He was appointed Consul to Trieste after the revolution, and was soon sent to the town of Civitavecchia, outside Rome. All three were published posthumously. In , he returned to Paris due to ill health and there, in , dictated La Chartreuse de Parme , one of the two novels for which he is best known, in just fifty-two days.

He died of a stroke on March 23, During his lifetime, his fiction was little appreciated.

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Henry Fielding, The History of Tom Jones, a Foundling This picaresque, bawdily humorous novel follows the adventures of a young orphan as he seeks a place in the world. Gustave Flaubert, Madame Bovary An acknowledged masterpiece, Madame Bovary anatomizes both its adulterous title character and the bourgeois society that bred her.


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Share: Share on Facebook. Add to Cart. Why do anonymous letters play such an important role in the novel? At what point, if any, does Mathilde begin to genuinely care for Julien?

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Does he ever genuinely care for her? Why is escaping boredom such a strong motivation for both Julien and Mathilde? Why does Julien shoot Mme.


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According to the novel, to what extent is he to blame for doing so?